ブログ: 映画祭

The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.

The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.

As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.

Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.

A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.

Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.

Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?

Film is an international medium that has its roots in the American inventors and entrepreneurs. This spirit is felt in every word of a script, every frame, every cell and every pixel of film produced around the world.
The American Film Award is a recognition of what it means to have that founding motivating force. It is much more than a trophy, it is a message that the spirit of film is alive.
The American Film Award is a mark of excellence in Film Craft.

Detroit’s Trinity International Film Festival. The festival takes place August 20-23, 2020 in beautiful Downtown Detroit at The Marlene Boll Theater, 1401 Broadway, Detroit, Michigan and The Carr Center Gallery. The 4-day event themed “FILM YOUR FUTURE” features an array of independent films, screenplays, workshops, The Future panel discussion and filmmakers from around the world. We are also hosting a Best screenplay competition, 2nd Annual Uncle Nearest Premium Whiskey 100 Proof! Red Carpet Award ceremony. We expect an audience of over 4500 people from diverse ethnic and cultural backgrounds to attend. This event will give your company a distinct marketing opportunity with this population in Detroit.

The TI Film Festival has hosted industry professionals locally and nationally to share their knowledge and expertise in various workshops and industry discussions. Special guests have included famed Actress and Producer, Tangi Miller, Syndicated Radio Host and Film Producer, Russ Parr, Former BET Executive Producer, Ralph Scott, currently with the Aspire Network (Owned by Magic Johnson), film segment producer/head of production for more than 100 episodes of SNL, Tanya Ryno and Writer, Director, Qasim Basir, “Destined,” and Actress/Singer Deborah Joy Winans of the acclaimed TV series “Greenleaf,” which airs on Oprah Winfrey’s OWN network.


The highlight of this event over the years has been all of the innovative work we've showcased by indie filmmakers and our audience that supports Detroit's TI Film Festival.

2020 Festival Schedule (Screening Schedule Coming Soon)

国際アフロ映画祭「アナンセ」は、黒人人口に関する文化的、社会的側面を可視化することを目的としています。 オルタナティブムーブメントを新しい映画製作者に知らしめ、世界中のアフロの子孫についてのビデオを作るためのサーキットの一部として働く。

「アナンセ」は、全国の映画製作者に、黒人コミュニティの意見を表す空間目に見える作品を作成する可能性を誘う最初のフェスティバルです。

ロンドン国際アニメーションフェスティバルでは、クリエイティブなアニメーションの全スペクトルを誇らしげに展示し、アニメーションがすべての人にとってのものであることを示す。

2003年に設立されたLIAFは、世界中から提供されているインテリジェントで面白く、挑発的な現在の映画をスクリーニングすることによって、アニメーションは子供のための単なる漫画であるという人気の誤解を払拭することを目指しています。通常、そのような注意を引かないアニメーターです。

毎年10日間のフェスティバルでは、ガラ初演、回顧展、映画製作者とのQ&A、ワークショップ、観客投票、ベスト・オブ・ザ・フェスティバルの上映などが行われています。

The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.

Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.

Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.

Entry Fee of $35. The fee for the Festival is for already completed films.

Show us your best moments from this season. Tell a story. Get rowdy. Create. Inspire. Capture that perfect second/day/weekend and share it here.

Our mission:

To recognise and honour experimental film
To educate the public in experimental film
To build a networking platform for experimental filmmakers

We support: the unrecognised, the progressive, the visionary. By submitting your film you: endorse our mission, embrace our philosophy, join our community, declare rightful ownership of your work, permit screenings, and the use of clips and images for promotion.



London Experimental Film Anti-Festival
Fluid and evolving
Promoting experimental film
Exhibits in a variety of alternative spaces
No programming
No competition or prizes
Random film selection
Free to watch
Unorthodox marketing

Any kind of video or movie produced by 2014, in any language (we need Italian subtitles). The final term for inscription is february 19th 2017. Info www.videomakerfilmfestival.com

CINESONIKA is the premiere international exhibition for works which make full artistic use of sound's contribution to the moving image, showcasing fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.

Since it's founding in 2010, the CINESONIKA website has averaged ~5000 unique visitors annually, a much larger audience than most boutique film festivals gain in actual screening attendees.

To take advantage of this established global exposure, CINESONIKA 6 will also have an online festival in the Summer of 2017, running in parallel to the Vancouver VFX Festival (www.vvfx.ca). Live screenings of both festivals will take place in downtown Vancouver, British Columbia.

Cinesonika is also partnering with the NW Film Center in Portland, OR for screenings of select films as part of our touring anthology.

We are open to works in any format, including narrative, documentary, animation, experimental, and uncategorizable styles. Videos will be reviewed on a rolling basis until the deadline, so earlier submissions will result in earlier notifications.

We accept in all genres (e.g. animation, narrative, documentary, performance, experimental, shorts, etc.)

HIGHLAND PARK INDEPENDENT FILM FESTIVAL (HPIFF) fosters emerging and established filmmakers by providing forums for screening projects, networking with industry professionals and mentoring student filmmakers in Northeast Los Angeles. All films will screen at the historic Highland Theatre on a DCP system

Kanyakumari International Film Festival
Celebrates its 4th year !

Event Type: Live Screening of Films from worldwide and Connected Programs including Film Making Workshops, Film Seminars, Film Appreciation Camps and Exhibitions.

The call for entries for the film festival is now open!


Screening Categories:

Feature Film Over 60 Minutes
Long Documentary Over 60 Minutes
Long Animation Film Over 60 Minutes
Long Experimental Film Over 60 Minutes
Music Video Over 60 Minutes

Short Film Under 60 Minutes
Short Documentary Under 60 Minutes
Short Animation Film Under 60 Minutes
Short Experimental Film Under 60 Minutes
Music Video Under 60 Minutes

ASSERTING WOMEN'S RIGHTSは、マラガ映画祭から生まれたプロジェクトで、ドキュメンタリー映画監督のメイベル・ロザノとマラガ市議会の機会均等課が協力して、抗議と擁護の手段として生まれたプロジェクトです。 このセクションは、女性の権利に関する社会的意識を毎年高める問題を調査し、取り組むことを目的として作成されました。

2008年に開始されたフェスティバル・デ・マラガのこのセクションは、現在19回目を迎えています。 このプロジェクトには2つの目的があります。21世紀になっても女性が女性であるという理由だけで直面し続けている不公平に光を当てることと、女性が制作した映画を宣伝し、支援することです。

「女性の権利を主張する」を通じて、世界各地で女性が直面している課題に注目が集まりました。 今日でも、女性と女児が生き延びるために日々戦わなければならない場所はたくさんあります。 これらの地域では、伝統的な慣習や文化的規範がしばしば個人的および社会的発展を妨げ、男性と同等の達成を妨げています。

Concorto Film Festival is addressed to cinephiles, both general audience and professionals.

The purpose is to promote short films and to generate contacts among audience, young directors and professionals.

国際短編映画コンテスト・フェスティバル「シウダー・デ・ソリア」は、常にショートフィルム・シネマを首都と見なし、文化の普及が不可欠であると認識しているため、私たちの目的は視聴覚表現の手段として、認識と普及への貢献を促進することです。 このフォーマットは本質的に、そして基本的には映画の一部でなければならない。

ニューヨーク州国際映画祭は、ニューヨークの中心部、アルバニーにあります！

2016年以来、世界中から集められた478本の短編映画を上映してきました。

私たちは毎年、ショートフィルムを通じて映画製作者と観客をつなげてきました。ご参加いただいた皆さん、ありがとうございました！ 私たちはこれからもアメリカで最も素晴らしい映画祭の一つになることを目指しています。 私たちは国際的な短編映画祭です。 この映画祭には、ニューヨーク首都圏全域、そして世界中から人々が集まります。 誰でもショートフィルムの提出を歓迎します。 学生や初めての映画製作者もサポートしています。 アニメーション、ドラマ、コメディ、エクスペリメンタル、ミュージックビデオ、ホラー短編映画など、あらゆる種類のドキュメンタリーを奨励しています。

映画は映画祭期間中に一般公開されます。 映画祭の間は質疑応答パネルがあります。 私たちの最大の目標は、あなたとあなたの視聴者と一緒にアートを祝うことです。ですから、その過程を楽しんでいただくことが重要です！

Chennai International Independent Film Festival, CIIFF, Tamilnadu, India is an initiative to encourage and promote Independent Film makers all around the world. Our mission is to collect; screen and award the works of independent film makers, actors, writers and so on. The event serves as a purpose to introduce local films in international stage and international films in local stage. We are aiming to become one of the notable brand in the independent film Industry.

Location :
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Chennai is one of the biggest metropolitan city in India. Being the Headquarter of South-India's Film Industry, Chennai, has over millions of movie loving people. The city loves and nurture's movie like anything. Movie is in its rich culture and heritage. Tamilnadu has over 100+ film related colleges and institutions and releases over 1000+ movies a year. Being the capital of Tamilnadu, chennai is the best place to bring talents together from all over the world.

Screening Day:
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On Event day, we connect filmmakers with potential producers and like minded people through networking and film markets. The event partners also have vast experience in public relationships and promotions; have launched films, sound tracks and individual short film screenings.

Screening Venues:
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Instead of closed screening with projectors/TV's, We Screen in locations with good acoustics and quality preview theaters.We bring elegant movies without losing its picture quality and sound quality.

Other Events:
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In Addition to screening, we collect and list final list of films in our website. Every film is given a separate page & details will be available to share in public. We also do promotions and interview with the winners and publish the videos after the festival.

All efforts are taken to celebrate the art of films. We welcome all.

AutoMoto Film and Arts Festivalは、視覚的、聴覚的、筆記芸術を通して豊かな歴史を物語る、あらゆるものに私たちの感情的な愛着のあらゆる側面を包含するイベントです。

発表される作品は、素晴らしい映画的な方法で語られ、観客の情熱を体現する自動車やオートバイの世界からの物語でなければなりません。

国際映画祭「Prvi kadar」/First Frameは、世界中の作家の映画芸術を促進することを使命とするボスニア・ヘルツェゴビナの重要な映画イベントです。 フェスティバルは競争心が強いわけでもありません。 映画は、ドキュメンタリー映画と短編映画の2つのカテゴリーで競われます。

映画祭は15回開催され、多数の作家がこの映画祭に関心を示し、この映画祭が世界中のアーティストの間で重要かつ権威のある映画イベントとして認められていることを証明しています。

フェスティバルのセレクションは継続性を裏付けるもので、主に芸術的なアプローチが裏付けられ、その上に最初のフレームの全体的なアイデアが構築されています。 テーマとアイデアの関係を考えるとき、作者の態度や芸術的なアイデアに重点が置かれます。

非競争的・競争的な質の高い、教育プログラム、講義、DokMasterclass、アート・ドキュメンタリーのフィルム・キャンパス、展覧会、映画アートの本のプロモーション、映画界からの多数のゲスト、映画界からの多数のゲストなど、映画祭が年々拡大し、プログラムの内容が充実していることの証です。 今年のフェスティバルは、2023年11月20日から24日まで、ボスニア・ヘルツェゴビナのスルプスカ共和国の東サラエボとズヴォルニクで開催されます。

CINETEKTONは、地元、国内、そして国際的に制作された現代のオーター映画を紹介し、宣伝することを目的とした文化プロジェクトです。

CINETEKTON国際映画・建築フェスティバルは、メキシコ、ラテンアメリカ、そして世界中の映画製作者に、定められた選考基準に従って作品を提出するよう呼びかけています。

CINETEKTONは、2026年9月18日から26日までプエブラ市で開催されるほか、メキシコ各地のさまざまな州のオルタナティブ・エキシビション・スペースでも開催されます。メキシコの一部の州では、イション・スペースも開催されます。