Blog: Festivais de cinema

A Association 400 Colpi é uma organização sem fins lucrativos criada com o objetivo de promover filmes que, graças à sua linguagem, estilo, história e temas, são destinados ao público jovem e adulto.

vvfilmf é sinônimo de qualidade cinematográfica e representa uma janela para o mundo juvenil. Não é só um festival de cinema. É uma experiência. É um momento cultural significativo para os jovens que une e cultiva.

Ao longo dos anos, a vvfilmf criou eventos que descobrem espaços para jovens, workshops para o estudo de novas formas de expressão visual. #vvfilmf se apresenta como uma iniciativa voltada para todo o país e internacionalmente, com a intenção de atender às expectativas da população jovem e dos telespectadores adultos.

O objetivo é aproximar o público em geral de formas cinematográficas de qualidade. Apesar de a programação do festival ter um público preferencial de crianças, jovens em idade escolar e estudantes universitários, ele abre suas portas com entusiasmo para adultos e todos os interessados em arte cinematográfica, fascinados pela cultura artística e visual, apaixonados por educação, pedagogia, diversão educacional e entretenimento simples.

O festival representa uma excelente oportunidade para mostrar novos caminhos educacionais, oferecendo um programa constantemente renovado de atividades culturais e propor, por meio do meio cinematográfico, habilidades respeitosas e reflexões frutíferas abertas a todos os membros da escola.

O vvfilmf possui o Alto Patrocínio do Parlamento Europeu, o Patrocínio da Presidência do Conselho Italiano, o Ministério da Cultura, Trabalho e Políticas Sociais, Turismo e quase todas as regiões italianas, muitas províncias e municípios.

Entre as colaborações plurianuais desenvolvidas pela #VVFILMF estão aquelas com a RAI Cinema, a Foundation for Entertainment e a Lancia Europa, bem como com a RAI Radio 2 e a RAI Educational.

Graças à alta qualidade da seleção de filmes em competição e ao profissionalismo demonstrado ao longo dos anos, o vvfilmf foi escolhido pelo presidente da Fundação Bienal, Paolo Baratta, e pelo diretor do Festival Internacional de Cinema de Veneza, para selecionar um grupo de jovens jurados e acompanhá-los ao mundo do cinema internacional durante o Festival Internacional de Cinema de Veneza.

XXXVII NATIONAL SHORT FILM COMPETITION OF L’ALFÀS DEL PI

Only for Iberoamerican Filmmakers // Solo para cineastas Iberoamericanos.

A 12ª edição do FICS acontecerá em Bucaramanga — Santander de 27 de setembro a 1º de outubro de 2022. A chamada em todas as categorias competitivas oficiais, estará aberta de 24 de junho a 19 de agosto de 2022. Para esta edição, o Festival terá prêmios em suporte efetivo e de reconhecimento para o desenvolvimento audiovisual.

A Corporação Social de Educação e Comunicações PRESS LIBRE, cuja trajetória de mais de vinte anos, na liderança do desenvolvimento da mídia no Santander, apoia e qualifica a adequação do FICS.

O FICS é composto pela presidência do diretor de cinema Sergio Cabrera e é chefiado pelo seu diretor, Oscar Fonseca, em acompanhamento de parceiros administrativos.

Seu principal objetivo é trabalhar para a formação de uma crítica pública e para a consolidação de espaços de discussão e valorização em torno de uma verdadeira cultura cinematográfica na região e no país.

O departamento de Santander como sede do FICS, está entre outros
o departamento com o maior crescimento econômico médio anual e é promovido como um dos destinos turísticos mais populares
importante, um epicentro cultural de pessoas empreendedoras, que abre suas portas para novos mercados.

As seções competitivas do FICS são janelas para o desenvolvimento do
cultura e indústria cinematográfica, com novos olhares para a Ibero-América, mantendo seu forte compromisso com o cinema nacional, apoiando o cinema feito na Colômbia e na América Latina

Festival is an international unique project.

These days Khanty-Mansiysk becomes a TV and environmental capital of Russia, where you can see the most actual foreign and native ecological documentary.

Nowadays mass media devote special attention to environmental issues. Every year state of our planet is getting worse. Participants of the festival are calling to rescue the world. They are real professionals that live TV and films.

Their works are worth of recognition. The main award - the Golden Loon - gives to participants an opportunity to create new films that could affect people' world view. Today the importance to respect nature can be reveal through the TV screen. The main thing is to do it properly. And International Ecological TV Festival "To Save and Preserve teaches and promote this thing.

A missão do festival é difundir o conhecimento da arte cinematográfica, especialmente sob a forma de curtas-metragens, a fim de mostrar ao público todos os diferentes aspectos do cinema internacional contemporâneo.

A Academia de Hollywood apoia o Festival Internacional de Cinema de Huesca, reconhecendo-o como pré-selecionado para o Oscar na categoria de Melhor Curta-Metragem de Ficção. Além disso, a Academia Espanhola de Artes e Ciências Cinematográficas o reconhece pelo Prêmio Goya.

http://www.oscars.org/sites/default/files/88aa_shorts_festival_list.pdf

O Revolution Me Film Festival traz a você uma nova geração de cineastas. É importante que cada artista de todas as culturas defenda algo de maneira única, para criar histórias que possam mudar o mundo.

O mundo do filme/TV está mudando constantemente e continuará a crescer. Mas quem está liderando essa nova mudança? Cineastas, roteiristas, atores, produtores e diretores têm voz e é importante influenciar nossas comunidades com nossas histórias.

O Revolution Me Film Festival quer que os novos cineastas emergentes se unam e mudem o mundo. Precisamos de mais diversidade, precisamos de mais vozes, precisamos de mais mulheres atrás da câmera e sentados na cadeira dos diretores. Este festival de cinema está aberto a ALL!

Bucharest International Film Festival is a competitive festival, dedicated primarily to international feature-length films. The festival aims to promote copyright movies and low budget films.

The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.

The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.

As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.

Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.

A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.

Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.

Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?

Film is an international medium that has its roots in the American inventors and entrepreneurs. This spirit is felt in every word of a script, every frame, every cell and every pixel of film produced around the world.
The American Film Award is a recognition of what it means to have that founding motivating force. It is much more than a trophy, it is a message that the spirit of film is alive.
The American Film Award is a mark of excellence in Film Craft.

Detroit’s Trinity International Film Festival. The festival takes place August 20-23, 2020 in beautiful Downtown Detroit at The Marlene Boll Theater, 1401 Broadway, Detroit, Michigan and The Carr Center Gallery. The 4-day event themed “FILM YOUR FUTURE” features an array of independent films, screenplays, workshops, The Future panel discussion and filmmakers from around the world. We are also hosting a Best screenplay competition, 2nd Annual Uncle Nearest Premium Whiskey 100 Proof! Red Carpet Award ceremony. We expect an audience of over 4500 people from diverse ethnic and cultural backgrounds to attend. This event will give your company a distinct marketing opportunity with this population in Detroit.

The TI Film Festival has hosted industry professionals locally and nationally to share their knowledge and expertise in various workshops and industry discussions. Special guests have included famed Actress and Producer, Tangi Miller, Syndicated Radio Host and Film Producer, Russ Parr, Former BET Executive Producer, Ralph Scott, currently with the Aspire Network (Owned by Magic Johnson), film segment producer/head of production for more than 100 episodes of SNL, Tanya Ryno and Writer, Director, Qasim Basir, “Destined,” and Actress/Singer Deborah Joy Winans of the acclaimed TV series “Greenleaf,” which airs on Oprah Winfrey’s OWN network.


The highlight of this event over the years has been all of the innovative work we've showcased by indie filmmakers and our audience that supports Detroit's TI Film Festival.

2020 Festival Schedule (Screening Schedule Coming Soon)

O Festival Internacional de Cinema Afro “Ananse” tem como objetivo tornar visíveis os aspectos culturais e sociais sobre a população negra. Trabalhando como parte de um circuito que permite que movimentos alternativos sejam divulgados a novos cineastas para fazer vídeos sobre os afrodescendentes em todo o mundo.

“Ananse” é o primeiro festival que convida cineastas de todo o país a possibilidade de criar espaços de produções visíveis representando as visões das comunidades negras.

O Festival Internacional de Animação de Londres exibe orgulhosamente todo o espectro da animação criativa, mostrando que a animação é para todos.

Fundada em 2003, a LIAF pretende dissipar o equívoco popular de que a animação é apenas desenhos animados para crianças, exibindo a mais ampla gama possível de filmes atuais inteligentes, divertidos e provocativos oferecidos de todo o mundo, bem como retrospectivas e sessões especializadas de países e animadores que normalmente não despertam tal atenção.

Nosso Festival anual de 10 dias inclui estreias de gala, retrospectivas, perguntas e respostas com cineastas, workshops, votação do público e a exibição do Melhor do Festival.

The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.

Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.

Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.

Entry Fee of $35. The fee for the Festival is for already completed films.

Show us your best moments from this season. Tell a story. Get rowdy. Create. Inspire. Capture that perfect second/day/weekend and share it here.

Our mission:

To recognise and honour experimental film
To educate the public in experimental film
To build a networking platform for experimental filmmakers

We support: the unrecognised, the progressive, the visionary. By submitting your film you: endorse our mission, embrace our philosophy, join our community, declare rightful ownership of your work, permit screenings, and the use of clips and images for promotion.



London Experimental Film Anti-Festival
Fluid and evolving
Promoting experimental film
Exhibits in a variety of alternative spaces
No programming
No competition or prizes
Random film selection
Free to watch
Unorthodox marketing

Any kind of video or movie produced by 2014, in any language (we need Italian subtitles). The final term for inscription is february 19th 2017. Info www.videomakerfilmfestival.com

CINESONIKA is the premiere international exhibition for works which make full artistic use of sound's contribution to the moving image, showcasing fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.

Since it's founding in 2010, the CINESONIKA website has averaged ~5000 unique visitors annually, a much larger audience than most boutique film festivals gain in actual screening attendees.

To take advantage of this established global exposure, CINESONIKA 6 will also have an online festival in the Summer of 2017, running in parallel to the Vancouver VFX Festival (www.vvfx.ca). Live screenings of both festivals will take place in downtown Vancouver, British Columbia.

Cinesonika is also partnering with the NW Film Center in Portland, OR for screenings of select films as part of our touring anthology.

We are open to works in any format, including narrative, documentary, animation, experimental, and uncategorizable styles. Videos will be reviewed on a rolling basis until the deadline, so earlier submissions will result in earlier notifications.

We accept in all genres (e.g. animation, narrative, documentary, performance, experimental, shorts, etc.)

HIGHLAND PARK INDEPENDENT FILM FESTIVAL (HPIFF) fosters emerging and established filmmakers by providing forums for screening projects, networking with industry professionals and mentoring student filmmakers in Northeast Los Angeles. All films will screen at the historic Highland Theatre on a DCP system