ブログ: 映画祭

Scare-A-Con映画祭は、直接ハリウッドスタジオの関与の外で作られた独立した映画をサポートし、世界中の主要な独立スタジオに彼らに必要な露出をもたらす。

Scare-A-Con映画祭（旧B映画祭）は、1999年から中国でエキサイティングなイベントでした！ 私たちは、世界中から10,000以上の映画、ショートパンツ、ドキュメンタリーを露出させるお手伝いをしてきました。 私たちの祭りで演奏した映画の多くは、マーベリック、イメージ、バーンホルツのような企業との配信の成功を遂げており、ブロックバスター、ベストバイ、Netflix、Amazon.com、ウォルマートのような場所で入手できます。 弱者の映画を紹介する1つの映画祭とホラー、SF＆ファンタジー大会の一員になろう！

祭りは現在、リンダ・ブレア、トニー・トッド、アーニー・ハドソン、ジョー・ボブ・ブリッグス、ジョン・シュナイダー、ダグ・ブラッドリー、ジョン・ルッソ、C・トーマス・ハウエル、「ウォーキング・デッド」、「ミステリー・サイエンス・シアター3000"と以上6000イベントごとの常連客です！ フェスティバルやコンベンションでは、映画製作者ミキサー、ダンスパーティー、セレブリティパネル、コスチュームパーティーなどのイベントが開催されます。 これは素晴らしい3日間のイベントであり、映画制作者が仲間と交流し、ネットワークを交わす絶好の機会です。

審査員には以下のものが含まれます。

-ロン・ボンク-1992年以来映画を配信しているSRSシネマの映画製作者兼プロデューサー兼ヘッド。

-ジェームズ·V·ジョンソン-TAPS誌の編集者で怖がる-コンの創設者。

-David J.スカル-ホラー映画やホラー文学の研究と分析で知られるアメリカの文化史家、評論家、作家、オンカメラコメンテーター。

-マイケル・マーチャント-「彼女は殺す」と「何か奇妙な夜」で彼の役割のために知られている多作地下映画俳優。

If you love brand new and classic horror, cult, extreme fantasy and Sci-fi movies then GRIMMFEST is for you. We pride ourselves on bringing you the very best in new genre film from around the world.

Movie premieres, special film makers and celebrity guests and a selection of genre classics on display. Now in its sixth year, Grimmfest has quickly become the premiere UK festival of genre film outside of London.

FestiCineKids 27は、カルタヘナ・デ・インディアスで開催される国際的な児童・青少年映画祭で、コロンビア、ラテンアメリカ、世界の映画の制作と配給の強化に力を注ぐ映画コンペティションです。

2025年、FesticineKidsは第27回目を迎えます。女の子、男の子、若者を対象とした映画を紹介し、称えるという同じ精神のもと、FesticineKidsは第27回目を迎えます。 このフレーズは「子どもたちの価値観」というスローガンに選ばれました。 このコンセプトは、子どもや若者に、自分たちの環境を変える責任を自覚してもらうことを目的としています。 子供や若者は未来であり、地球、彼らを取り巻く人間、動物や植物、そして彼らが訪れる場所への配慮を奨励すべきです。 アフロ映画や先住民向けの映画を見る傾向。

FesticineKids 27のプロフィールを構築するにあたり、スクリーンが少女、男の子、青少年の合流点になるという問題がある。 映画を感情、感情、信念が表現されるシナリオと仮定することで、少女、少年、青少年が、映画が彼らを呼び起こすもの、そこから何を抽出し、その意味を理解し、自分たちの生活の中で、自分たちの環境の中で、彼らが望む場所や夢見る場所と並行して、映画が自分たちの生活の中で、自分たちの環境の中でどこにあるのかを疑問に思うことを意図しています。

また、大人、保護者、教師、文化・映画関係者にとって、視聴覚メディア、特に映画界との緊張と交流のトレーナーとなる能力を強化する必要性について考える機会でもあります。

WHY THIS AWARD PRIZE NACIONAL DE CORTOMETRAJES "JAIME OSORIO GÓMEZ"

Community of Viterbo Caldas, has not been sufficiently fair or not had taken seriously the importance that has for a municipality that one of their children has such an impact in a trade, or art, and even more so at levels that managed it to do the Mr JAIME OSORIO GÓMEZ, who was born in ViterboCaldas, on March 7, 1947 and studied law at the Autonomous University of Colombia.

In the 1970 began to conduct business and to court political documentaries, such as Chile does not surrender, hell. He was a professor at the National University of Colombia and the school of cinema and Television of San Antonio de los Baños in Cuba, in addition to representing the Colombian producers in the Board of Directors of Proimágenes in motion. He directed the medium-length films all rights reserved, ceremony of the Benkuna and life or death, where are already insinuating clearly the characters of confession to Laura. In the 1980 was the producer of tropical snow, the Emberá and my Macondo and was Assistant Director and production of two films by Lisandro Duque: Visa USA and miracle in Rome. In 1990 he participated in the lab of the Sundance Institute directed by Robert Redford with the confession project scripts to Laura, which a year later became his debut film. In 1991 he was general producer of Nazca, series television Española, shot in 21 countries of Latin America, in addition to production of the film l'enfant du Bont du Monde for French television. But would miss more things: was the co-producer of the Virgin of assassins, Barbet Schroeder; Producer and actor of Maria full of grace of Joshua Marston and also produced La Sombra del caminante of Ciro Guerra. At the time of his death he was working on multiple film projects in various stages of production, such as Satan, directed by Andi Baiz; Child's play, directed by Carlos César Arbelaez; The taxidermist, directed by Luis Alberto Restrepo; the project colors of the mountain, also of Carlos César Arbelaez, and the feature film time of the Lions, written by himself and Jaime Escallón Buraglia. "Those who had the pleasure to shake his hand, understand the size of the huge loss that took the Colombian cinema with his departure" one of the people who have contributed most to our film to reach the upper echelons; for all the above we got in the task of creating the "Prix national of short films JAIME OSORIO GÓMEZ". Posthumous and well-deserved tribute to the mentioned in question.

2nd edition

Aug 04 - Sep 12, 2014
München, Germany
Open Call Open to Public Competitive Market Special Fees

Festival type Real Venue Festival
Types of films Any type, Animation, Docu-feature, Documentary, Experimental, Hybrids, Industrial, Multimedia, Narrative fiction, Student, Web
Film length Full length, Mid-length, Short
Genre Adventure, Alternative, Art, Avantgarde, B-Movie, Biography, Burlesque, Classics, Comedy, Crime, Culture, Dance, Dark comedy, Drama, Environmental, Fantastic, Fantasy, Film noir, Hip Hop, History, Horror, Human rights, Independent, LGBT, Live Action, Microcinema, Mockumentary, Musical, Mystery, , Parody, Post modern, Realism, Reality, Road Trip, Romance, Science fiction, Silent movie, Surreal, Transgender, Underground, Urban

Mission / description MUFF:

The Munich Underground Film Festival, MUFF began in December 2012, when two college friends Heike Mohler & Erika Rahner, decided to organize a totally independent festival in Munich and the two organizers had internet creativity and only then decided to put together a team of friends and some German filmmaker and made MUFF first in 2013, totally haphazardly and rebellious spirit that caused controversy and some processes. The festival takes place every year. Through the festival's official website, online, group discussion and interaction among participants. Through the controversies that hovered the festival, the impact was so great that several support and partnerships were closed with the festival organization. The MUFF is consolidated in the second edition as one of the most respected underground film festivals in Europe.

エッセオエッセ文化協会は、「コルトディーノ映画祭ディノ・デ・ラウレンティス2025-XVエディション」というコンペティションを発表しました。このコンペティションは、故郷で、ディノ・デ・ラウレンティスの人物と作品を記念的かつプロポジティブな言葉で思い出し、祝いたいという願望から生まれたコンペティションです。 このイベントでは、ナポリの首都ベスビア地域、「ジョルジオ・デ・キリコの芸術とコミュニケーションの中等学校」、この地域の他の中等学校、およびベスビアとカンパニア地域の主要な文化団体が協力してイベントに参加します。

したがって、このイニシアチブの主な目的は、有名な「トーレーゼ」が残した影響が確かに大きかった映画分野に参入する若い映画製作者との出会い、対立、知識を得る機会を創出することです。また、恵まれない人々を取り込み、カンパニア州だけでなく、国内外の才能による作品の研究と宣伝を通じて、映画文化を促進することです。

連帯、文化団体、学校の世界の存在は、特に若者の世界とつながるという目的を最も明確に示しています。
コルトディーノ映画祭XV版は、2025年9月から11月にかけて開催されます。 開催都市、場所、開催日は後日お知らせします。

Let us be curious! And let us open to this universe of creativity, inventiveness and diversity that is the short film always little present on our screens, small or big!
More than 200 movies will be presented to make you laugh, amaze you, annoy you, surprise you and plunge you into the wealth of the short film! Movies coming from 45 countries, as well as from all France and from the Region Midi-Pyrénées, from recognized directors or in the process of the future.

Torremolinos International Fantastic Film Festival has become in a few years in one the most important events at Costa del Sol (Spain). Place in the Torremolinos' exhibition and conference centre: theaters with 240 and 460 people capacity. Organized by the Cultural Association "Cinefans", the festival it's now a reference of innovate and transgresive ideas. It starts at Halloween (with its own Halloween night) and it includes galas, shows, horror movies marathons, charitable sessions, guests and honored films for their anniversary.

ONLY FOR LATINAMERICAN FILMMAKERS / SOLO PARA CINEASTA LATINOAMERICANOS

The short films taking part in the competition must necessarily tackle a social topic, since the Festival aims at raising awareness on contemporary issues such as social exclusion, migration, gender violence, unemployment, fundamental rights, etc. Any short film which shows these or other social issues will be accepted in the Festival, notwithstanding the main topic of the short films may not have a particularly social nature.

Brainwash, since 1995, has delighted audiences with a selection of the bizarre, the unique, and just plain old well-made movies from independent producers all over the world. With an eye toward the abstract, the innovative and the weird, Brainwash saluted it's 25th Silver Anniversary in the 2019 season, and, we're still going strong. We have consistently attracted entries we curate to be able to display some of the most cutting edge cinema from up and and coming directors, actors, producers and crews consistently year after year. So please send us yours this year!

国際短編映画コンテスト・フェスティバル「シウダー・デ・ソリア」は、常にショートフィルム・シネマを首都と見なし、文化の普及が不可欠であると認識しているため、私たちの目的は視聴覚表現の手段として、認識と普及への貢献を促進することです。 このフォーマットは本質的に、そして基本的には映画の一部でなければならない。

Some call it the “Lady Tickler,” “Lip Spinach,” or even, the “Cookie Duster.” Formally, it is known simply as “The Moustache.” In all of its forms it represents a man’s individuality and inner strength. Whether a full, furry and lustrous lip warmer or a smooth, sleek line of suave sophistication weaving it’s way across a dude’s upper lip, a man’s Moustache is an indication of his robust heart and the very soul of his being.

As part of the annual Facial Hair Fest—a celebration of facial hair in Portland, Maine—we are now looking for submissions for the International Moustache Film Festival (IMFF). Films will be screened in several venues throughout the week of March 21 through March 28, 2015,.

The Facial Hair Fest features all sorts of delightfully hairy good times, including the 8th annual Stache Pag (a moustache pageant), the Facial Hair Farmers Market, the Can-Am Beard and Moustache Competition, and of course, the IMFF. A number of IMFF screening blocks will be held, each dedicated to a different kind of stache. And despite the official name of the festival, beards are welcome. They are, after all, the less refined cousin to the moustache.

Films will be selected based on two criteria. First, we want good films. Second, we want films that highlight conspicuous, outstanding, and awesome facial hair. It's that simple.

Past years have seen the IMFF covered in the global press, including: Movie|Line, EW.com, The Guardian, BBC, Reuters, The Huffington Post, Boston.com, Yahoo.com, The Times of India, Buenos Aires Herald, DownEast Magazine, The Tribune, American Mustache Institute, The Beard Club and Stuff.Co.NZ.

Have a main character with a nice stache? Send us your film.

A documentary about hippies with beards? That's good to.

A film about Salvador Dali or Jesus? Totally qualifies.

A film about any of the following:
Hippies. Prophets. Musicians. Mountain Men. Cops. Robbers. Firemen. Old Fashioned Strong Men. Cowboys. NFL Quarterbacks. Private Investigators. Scientists. Political Leaders. Pirates. Canadians. Wizards. Dwarves. Dads. Cavemen. You. Your friends. Your enemies.

So send us some films, and please consider attending the International Moustache Film Festival!

The Unreal Film Festival is an annual film competition held in September in Memphis, TN. The festival accepts both short and feature length films from all over the world, but only films that fall under the horror, sci-fi, and/or fantasy film genres.

The year 2015 by can be easily termed as the ‘year of intolerance ‘in Indian socio-political and cultural milieu. This was coming all the way from the time the right wing party was voted to rule the country. It began with re-writing Indian history and text books for schools, colleges and academic institutions, running down Gandhiji, the architect of free India as also the free thinkers, eliminating rationalist, outspoken intellectuals and scholars, isolating artists and film makers, taking control of Central Board of Film Certification by forcing the eminent men and women constituted that body to resign en-mass. The right wing people have taken charge of all public art and cultural organizations.

People from the minority communities have been lynched and killed for suspecting to have eaten beef. Cow slaughter has been banned in states like Maharashtra taking away food from the tables of minority communities as well as daliths and increasing the burden on the farmers already bending backward with debt and are committing suicide. Those who protested the beef ban have been beaten up in Kashmir, in Uttar Pradesh and New Delhi. When the public very clearly understood that the general response of the government to these problems were dismissive as something that is done by antisocial elements people began to take action. The prominent scholars, writers, poets, actors, film makers and theatre personalities started returning the awards they received from the government. There were protests across the country, from politicians and eminent citizens.

Another aspect of this intolerance is manifested in witch hunting NGOs like Green Peace for very prominently taking up environmental issues and challenging the implementation of economic projects without proper environmental impact assessment. Those NGOs on the hit list of the government is harassed in every possible ways including cancelling their FCRA numbers and freezing their accounts. Fortunately so far the justice system was very fair in their judgments which has given much relief to the NGOs under the government scanner. Generally NGOs these days are seen by the politicians as people ‘against development’.

These very arrogant postures of the government was downsized by the people of India through democratic resurgence. First they lost a very high pitched assembly election in Delhi to Aam Admi Party and later in another high pitched assembly election in Bihar the right wing lost to an alliance of democratic forces represented by Lalu Prasad Yadav and Nitish Kumar the local leaders. In all these instances the media was very pro-establishment. Were they too scared to investigate issues and inform the public?! While we hope that the people will elect democratic and secular parties in the Assembly elections happening now in April/May 2016,we need to nurture grass root level democratic practices which is one of the major objective of the festival. Whatever work we are engaged in now is from a very diminished public sphere. We do not know what the future holds for us but for now we belong to the breed of marginal citizens of this country.

As for our experience in this specific field is concerned, Bangalore Film Society was the South India coordinator of Tri-continental Film Festival "Human Rights in Frames from 2007 to 2009 organised by an NGO called Breakthrough. An average 5000 to 6000 people used to attend this festival in Bangalore in three days and the event had become very popular. Apart from this, we used to take these films to academic institutions as well as film societies in all South Indian States. However, the tricontinental film festival closed after 2009 and at present to the best of my knowledge we don't have a human rights film festival of that magnitude.
In the present Indian context, Bangalore Film Society wish to start an International Human Rights Traveling film festival from December 7th to 10th or from 9th to the 12th 2016 (depending on the availability of the auditorium) and organise a conference on freedom of speech and the right to dissent. The films selected will address major international human rights concerns such as refugees, lgbt sexuality, boarders, women, socio-political conflict, communal conflicts, child labour/abuse and so on The emphasis on the impact it should create. Once the festival is over these films will be circulated for screenings in educational, media institutions and film societies across India.

第9回富山国際映画祭は、2020年6月に富山県で開催されます。 昨年、この小さなコミュニティをもう一度世界中の映画制作者のビジョンを共有することに興奮しているような大きな成功を収めました。 応募作品は、2020年5月15日まで開館します。
第2回富山国際映画祭は、富山県の農村部で開催されました。 この地域の少数の英語教師から始めて、日本だけでなく世界中の多くの人々に手を差し伸べることを望んでいました。 そして、私たちは確かにそうしました。 このフェスティバルは、30カ国から100以上の応募作品で大きな成功を収めました。 私たちの最初の年にわずか10回の提出から非常に一歩です。 今後も日本の利益のために、今後も継続していきたいと考えています。
第1回富山国際映画祭は、約70人の収容人数を持つショッピングセンター内の小さな部屋で行われました。 翌年、富山市で地元独立会場、ボデガスマンボで開催され、約80～100人のゲストが映画を見に来ました。 今年は、さらに拡大し、参加者と映画界の皆様にさらに大きな会場を提供したいと考えています。
今年は世界中の人々に手を伸ばし、チャリティーのために短編映画を制作し、富山県で映画文化を創り出すために皆に挑戦しました。
注意：時間の制約により、10分以上かかる映画は受け付けておりません。 しかし、あらゆるジャンルの短編映画が展示の対象となります。