ブログ: 映画祭

The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.

The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.

As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.

Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.

A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.

Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.

Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?

The Green-Go International Short Film Contest aims to gather environmentally and socially conscious youngsters to organize the contest and the festival on one hand, and on the other hand, to inspire youngsters to creatively express their ideas in a
short film format. With the shorts, we aim to raise awareness on environmental and social problems at global, European and national level. With Green-Go festival, we wish to create the basis of a sustainable green film event that activates both youngsters and the civil society, attracts interested people and stakeholders and generates dialogues within the whole society about key eco-social questions.

Within the film contest, we accept shorts in three categories to reflect on European awareness, global environmental and social problems and the connection between biodiversity and society.

The Green-Go Short Film Contest is generously supported by the European Commission.

This year we are awaiting short films (and Testimonies!) in the following three categories:

1. Build green, live green (Green infraestructure)
2. The last day on Earth? (Earth's overshoot day)
3. Your Europe in 2050 (EU budget)

ONLY FOR MEXICAN FILMMAKERS // SOLO PARA CINEASTAS MEXICANOS

The Ixtenco International Short film Festival’s main objective is to provide a opportunities for exhibition of quality films, trying to bring together those who make the movies and those interested in this task for film preservation and exchange
ideas. This Festival is not for profit or financial gain.

MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.

MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.

SREM FILM FEST is a constant cultural manifestation, whose founder and director is Igor Čolak and executive BUBAMARA PRODUCTION and SREM FILM. It is both domestic and international competitive film festival of artistic achievements in the field of documentary film made by film or video techniques.

The festival takes place in Srem, once a year.

After a mini-hiatus, Short Com will be making it's return in 2019 in Edinburgh at the Cameo Cinema.

Short Com is a short comedy film festival that has grown from strength to strength from humble beginnings back in 2011, where it started in Manchester.

Short Com prides itself on the quality of its programme and the range of comedy stylings it has screened. The most emphatic thing we look for in a film is its content, its ability to make an audience laugh or smile. Short Com has screened films from BAFTA nominated films and multiple award winners to simple home made films that have warmed and vastly amused audiences.

Short Com has screened during the Edinburgh International Fringe Festival, in London and for the first time in Bristol and finished its run and closed with its award ceremony at the Glasgow Short Film Festival. One of the largest short film festivals in the UK.

Why submit to Short Com? Short Com prides itself on the quality of its programme. There is a great deal of honour to selected filmmakers who make it to the annual best of screenings. Plus it will be taking place during the world's largest arts and culture festival. In the past we have been sponsored by Blackmagic Design, Final Draft and Festival Formula all donating fantastic prizes for winning films in our category awards section. We will be looking to work with new brands to continue this tradition and bring some excellent prizes.

To get an idea of what we have screened in the past, you cans see some of the previous years winners in the links below.

http://www.shortcom.co.uk/wp/2014-2015-best-of-select-and-winners/

http://www.shortcom.co.uk/wp/2015-international-selection/

http://www.shortcom.co.uk/short-com-festival/short-com-2016-best-of-programme/

*Feature Films

We have the opportunity to extend our programming to feature films. This depends on the quality of the film and appeal it can bring. Features must be a Scottish film premier.
Contact Chris Aitken directly at info@shortcom.co.uk for enquiries.

La Fundación de artes escénicas Macer Ponti es una organización no gubernamental de Colombia que apoya el talento artístico en la comunidad de futuros actores y actrices proviendo el arte y la cultura en poblacion en alta vulnerabilidad para el desarrollo social de la región.

Dasarrollamos producciones promoviendo sentido social con valores y está dirigida por Miguel Angel Cardona Erazo con más de 10 años de experiencia y reconocimiento por su trayectoria en la TV nacional.

Nuestros Valores:

Misión
Somos una entidad sin ánimo de lucro, en donde nuestra misión es educar, entretener y culturizar a través de diversas manifestacones artísticas, como teatro, cortometrajes, baile, música, fonónmiimica y modelaje.

Visión
Ser el espacio donde, la comunidad de todos los estractos sociales, tengan la oportunidad de mostrar su talento, en las diferentes ramas del arte y la cultura.

Objetivos
Llegar y demostrar en todos los rincones, proyectando nuestro trabajo artístico y cultural, con talento Palmirano, traspasando fronteras y asi poder mostrarle al mundo el gran potencial que hay en la Villa de la Palmas.

FICFUSAは、13年の歴史を持つ映画祭であり、コミュニティベースの文化プロセスでもあります。 映画祭は、「女性と領土」というアプローチを通じて、映画を「集い、創造、反省、そして社会を変革する場」と捉えています。

コロンビアのスマパス地方のフサガスガを拠点とするFICFUSAは、文化の地方分権化、文化的権利としての映画へのアクセス、視聴覚によるストーリーテリングを通じた社会的絆の強化を促進するよう努めています。

FICFUSAは、2026年の開催に向けて、以下の映画祭カテゴリーに作品を提出するよう映画製作者に呼びかけている。

1. ストーリー・オブ・ウィメンズ — 国際長編映画
2. コロンビアの女性が作る—女性監督の短編映画（コロンビア）
3. ア・ショート・メイド・ヒア — クンディナマルカ（コロンビア）の短編映画
4. 地域で作られる物語 — コロンビア各地の短編映画（コロンビア）

映画祭のメインイベントは、2026年11月11日から16日までフサガスガで開催されます。

ポンフェラーダ国際映画祭は、制作形式、配給、展示会、カテゴリー、ジャンル、テーマに関係なく、世界中の短編映画の普及と宣伝に特化したイベントです。

ショートフィルムは、映画業界の新人プロフェッショナルのための学習リソースであり、長編映画への飛躍のための販促ツールであるだけでなく、市場にとらわれない、非常に創造的で自由な表現、ストーリーテリング、実験の形態にもなり得ます。

また、映画の長さにかかわらず、世界のあらゆる地域の文化的、社会的、言語的多様性を反映した映画を、人々の記憶の一部として、また最も知られていない視聴覚遺産として紹介することにも力を入れています。

FIC Multifestは、ラテンアメリカで最も重要な映画制作拠点のひとつであるグアダラハラを拠点とする、グルーポ・コルトス・ヴェルデス・インターナショナルが主催する国際映画祭です。

この映画祭は、短編映画、長編映画、ドキュメンタリー、そして人工知能などの新しいテクノロジーの支援を受けて制作されたものも含め、新しい形のストーリーテリングを宣伝し、上映することを使命として誕生しました。

FIC Multifestは、革新的なクリエイターたちの出会いの場であり、現代映画の芸術と技術の進化の両方を称える場です。

マルチフェストは単なる映画祭ではなく、地元、国内、国際的なオーディオビジュアル作品の視認性、教育、配信のためのプラットフォームとなっており、デジタルメディア、ソーシャルネットワーク、代替的な展示チャネルを通じてその影響力を拡大しています。

このフェスティバルは、新進気鋭のクリエイター、定評のある映画製作者、関連フェスティバル、革新的なコンテンツを熱望する観客が集まる場所としての地位を確立しています。 映画が共有され、進化し、未来に投影される空間。

フィアティコルティは、イストラナ市（トレヴィーゾ）のユースプロジェクトの若者グループの主導により、2000年に誕生しました。

このイベントが創設された年は偶然ではありません。新しいミレニアムの初期には、家庭でのビデオ制作と編集を可能にする革新的技術であるデジタルカメラの台頭が見られましたが、フェスティバルの初版でこの形式で提出された短編映画の一部からもわかるように、VHSテープの着実な減少も示しました。

このイベントの名前は、2つの理由からきています。1つは、「フィアト・コルト」（息切れ）は（短編映画が短いように）短時間の身体運動の結果であり、もう1つは、最大20分の長さの映画は、観客に強い感情を伝え、「息を切らす」ことです。

初版にはイタリア全土から27作品が参加し、その数は着実かつ急速に増加する見込みでした。4年も経たないうちに、映画祭は1版あたり150本に達しました。 競合する短編映画の数が増えるにつれ、その質も高まり、その結果、このジャンルに情熱を傾ける観客の関心も高まりました。
当初、フィアティコルティは授賞式に捧げられた一晩に凝縮されていたが、第4回から形式が充実し、最優秀作品が上映される4つのステージにまで映画祭が拡大された。

2006年には、ヴェネト地方の映画製作者による短編映画を称えるために、「フィアティブ・ネティ」部門が導入されました。
映画祭の10周年を記念した2010年、イストラーナ・ユース・センターにフィアティコルティ・アーカイブが開設されました。このアーカイブには、長年にわたって映画祭に参加してきた1,000点以上の作品が収められています。
2011年は、歴史芸術監督ジャンニ・ビリオがバルトロ・アイルディ・サガリガ（芸術監督）、アンドレア・グレスパン、シモーネ・ペロットにバトンを渡した年でした。 また、映画祭はターニングポイントにもなった。本映画祭では、コンペティション作品のクオリティが非常に高く、主にフランス、イギリス、ルーマニア、スペインからの外国人参加者が大幅に増加し、イベントはますます国際的なレベルに引き上げられた。

2026年から、イストラナ市は第24回フェスティバルの芸術監督を、トレヴィーゾ県での映画イベントの企画に豊富な経験を持つCineforum Labirintoの代表であるSara RicciardiとLivio Meoとともに、以前のエディションですでに主役を務めていたアンドレア・グレスパンに委ねました。

We welcome all forms of film production – feature, narrative, documentary, short films, animation, video art, experimental and student. Keep in mind, IFFP is a non-competitive celebration of cinema, making sure our officially selected program has a perfect screening quality, while the filmmakers and guests enjoy the festival, free from industry stress and complicated press or PR agendas. In other words, great films, summer skies, a selection of events, and networking at their best!

Durante los últimos años el cine en México ha destacado internacionalmente en crítica y certámenes, sin embargo en el Estado de Campeche la industria cinematográfica carece de un desarrollo notable en comparación al resto del país. Con la finalidad de impulsar esta área artística el "Campeche Film Festival, Festival Internacional de Cine en Campeche" tiene como meta impulsar a los jóvenes con deseos de crear y dedicarse al cine donde destaque el trabajo de los campechanos, logrando a través de ello un pacto de confianza donde se demuestre que es posible realizar cine y posicionar a Campeche como un punto de encuentro de nuevos.

Establecer el festival Campeche Film Festival como un evento continuo anual de la ciudad de San Francisco de Campeche.

Establecer un foro para promover a los nuevos talentos del cine mexicano, presentando su trabajo en un marco competitivo con una amplia apertura en la industria cinematográfica.

Difundir la riqueza del estado de Campeche.

FERATUM FILM FESTIVAL, tiene como objetivo abrir un espacio de exhibición, difusión y producción a películas de terror, fantasía, ciencia ficción y sub géneros afines, filmes mexicanos, iberoamericanos y de todo el mundo.
FERATUM, es un punto de encuentro entre creadores de la industria cinematográfica del cine fantástico y una plataforma para el lanzamiento de nuevos creadores.

« Courant 3D, the Angoulême meeting of 3D short films», a festival dedicated to short movies in 3D stereoscopic format.

Outdoor and indoor short film festival with a week of feature screenings.
2019 Sanctuary Cove International Film Festival on the Gold Coast, Australia.
Over 20k in Prizes from November 22 - 28.

ONLY FOR LATINOAMERICAN COLLEGE STUDENTS // SOLO PARA ESTUDIANTES UNIVERSITARIOS DE LATINOAMERICA

The 12 Months Film Festival (#12MFF) is farrest challenging film festival available which attracts, displays and awards filmmakers from six continents. Our finest selection system brings the benefits of a quality qualification in the #12MFF and also come with surprise awards where qualify all selected entries. #12MFF was designed to award you amazing prizes. Moreover, we will do our best in working with your needs in order for your talent and dedication to be appreciated by the public.
Together we build a global audience!

CHECK OUR TRAILER HERE :

https://vimeo.com/126007311


Entries requirements:
-> All films must have been made in or after 2012 and have English subtitles (unless English is the main language spoken); A creation date does not apply in case of the screen writings from being stopped for submissions, but the submitted must be in English or have a copy translated in English;
-> We accept shorts, documentaries, animations, experimental, music videos, web and new media, commercials (all specified previously under 45 minutes); feature films and feature documentaries (any length, 45 + minutes);
->A description between 50 and 150 words;
->Trailer (not required for movies under 7 minutes; optional) and the film must be submitted as an on-line screener (Vimeo preferred) which may be embedded on the website for visitors to see your creation; you can further opt for modifications in your entry;
->Cover of the film/screen writing or a defining photo;

We also offer the following services:
Film review; Film improvement support; Trailer for your movie; Web-design and coding; Complete graphic-design. Proceed here: http://12mff.com/services/