Blog: Film festivals

In the early days of cinema, with the advent of the cinematograph, the avant-garde artists found a new medium of expression, called seventh art, which was soon adopted by the major studios.

Thus, the space occupied by the Santander International Film Festival — Picknic Film Festival, is a place where films of reduced visibility and distribution, but selected for prestigious film festivals, with the approval of the press, have the possibility to be screened.

Directed by Women Spain is a film viewing celebration of films directed by women in Spain.

Our celebration is part of the International movement Directed by Women, that for the past 9 years has been dedicated to promote and give visibility to films directed by Women.

Cineteca of Madrid and the CICUS of Seville are hosting the tenth edition with a complete program of short film sessions, feature films, unseen documentaries, sessions for young audiences and children. Filmmakers will be invited to present their pieces to the public and to participate in a Q&A.

There will also be debates, professional gatherings, workshops and a lot of celebration!

#DirectedbyWomenSpain

MACAU INTERNATIONAL SHORT FILM FESTIVAL (“FESTIVAL”) is an annual worldwide audio-visual festival that aims to motivate overseas and Macau short film and music videos productions to compete in this FESTIVAL.

The Festival compromises two separate competitions:
- SHORTS International Short Film Competition
- VOLUME International Music Video Competition

“SHORTS” awards the best shorts-films in the three categories of Fiction, Documentary, and Animation. And “VOLUME” awards the best winning music video incorporating Macau original music. A list of Macau original songs is available on the Festival's WEBSITE for download purposely for VOLUME.

SHORTS is open for submission from 16 March to 16 June 2024, and VOLUME is open for submission from 16 March to 20 July 2024.

The Festival was previously known as "Sound & Image Challenge" and was first launched in 2010 focusing only on an audiovisual competition for local talent. This initiative was co-founded with professionals in film, music, sound and image fields, with two priorities: to promote the Creative Industries in the audiovisual sector and highlight the local talents in the production of sound and moving image design. Over the years, it expanded across 5 continents, grew and gained recognition, and finally became a short film festival in 2015.

The Festival will be held from 3 to 10 December 2024. A series of cultural programs will be scheduled in venues throughout Macau during the Festival week, such as public screenings of “SHORTS” official selection and “VOLUME” music videos official selection, Masterclasses of film production, development, International Film Festival curatorship and organising; audience voting for “Audience Choice”; as well as gala awards ceremony.

The Aguilar de Campoo Short Film Festival is consolidated as one of the most veteran and relevant film citations in our country in its genre. The Academy of Motion Picture Arts of Spain, includes it as one of the key festivals for the selection of short films that will compete in the Goya Awards. Throughout the last editions the festival has been making important decisions that commit it to the cinema of our country. In his thirteenth edition he published his manifesto where he exhibited his philosophy and commitment to film. He made the decision to pay for selection to the selected short films thus eliminating economic competition in order to encourage artistic creation and production. Its screening rooms are open to international cinema including all genres, fiction, documentary animation and experimental cinema. In 2016 the festival received recognition from the AIC (Short Film Industry Association). This certificate is an annual distinction to differentiate and reward festivals that perform an exemplary role in the dissemination, protection and professionalization of cinema and its industry, and especially of the short film. This is the first time this certification has been granted and is the result of more than a year of work tables and conversations with festivals, filmmakers and other professionals from across the country in order to develop a guide to good behaviors towards the short film and its creators. The basic objectives of this distinction are to educate new generations of filmmakers and protect model festivals, recognizing their dedication and rigor. We seek the encounter and exchange between professionals and the public as a form of cultural enrichment.

DMZ International Documentary Film Festival (DMZ Docs) aims to promote ‘peace, life and communication,’ the values represented by the site of DMZ (Demilitarized Zone) in Korean Peninsula, through arts in documentary form. As one of the leading international documentary film festivals in Asia, DMZ Docs introduces a wide range of documentaries from Korea and abroad and provides a platform for the filmmakers and industry professionals to meet and find better opportunities.

Montevideo Fantastic Film Festival is the first Uruguayan festival dedicated to promoting national and international film productions related to horror, fantasy and science fiction genres. Its objective is to annually present independent and ultra-independent creations that are often considered "minor", and that hardly access commercial and cultural circuits.

It has sections related to short and long feature films in competition, as well as exhibitions, tributes to different figures of the genre, lectures presented by specialists, and promotion of different cultural activities that occur in the country.

The Montevideo Fantastic Film Festival has been declared of Cultural Interest by the Ministry of Education and Culture, of Municipal Interest by the Intendance of Montevideo, and of Tourist Interest by the Ministry of Tourism in Uruguay.

It was screened in the Punta del Este International Film Festival, LatinUy Film Festival ("Cinema Fantasy" section, in La Barra), Piriápolis de Película International Film Festival ("FantaPiria" section), as well as in several foreign genre festivals like 'Buenos Aires Rojo Sangre' from Argentina; 'Brasilia International Fantastic Film Festival' from Brazil; 'FIXIÓN Fest' from Chile and 'Zinema Zombie Fest' from Colombia.

ZINEBI- International Festival of Documentary adn Short Film of Bilbao

ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.

Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.

In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.

Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.

A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.

The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.

The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.

The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.


ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao

ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.

Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.

A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.

A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.

Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.

Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.

Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.

Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.

ZINEBI
INTERNATIONAL FESTIVAL OF DOCUMENTARY AND SHORT FILM OF BILBAO

It got started in the year 1.959 and organized by the Cultural Department of Bilbao City Hall, ZINEBI will celebrate its 66th edition from the 8th up to the 15th of November, 2024.

It is the only international Class A festival in Spain in the documentary and short film category recognised by FIAPF since 1974, recognised by the Hollywood Academy as a qualifier for the Oscars among the short films from the official palmares and qualifier as well by the Spanish Academy for the BAFTA Awards and the GOYA Awards.

ZINEBI is a festival which holds all the most current forms and formats, innovative and suggestive and that is making a steady bet for the emerging authors. The line-up of the international schedule (documentary, animation and fiction) and its section ZIFF-ZINEBI FIRST FILM, dedicated to first works, are their really distinguishing mark. Honour Mikeldis are also remarkable, which recognise the prestigious career of distinguising international directors and the strict selections of its sections BEAUTIFUL DOCS, dedicated to the most relevant contemporary features and BERTOKO BEGIRADAK, a section dedicated to the Basque documentary feature films from a recent production. Besides, every year it´s celebrated the profesional encounter entitled ZINEBI INDUSTRY- NETWORKING, dedicated to promote the audiovisual Basque industry.

Fiver is an spanish platform for research, education, production and distribution of dance film and new media. Since 2012 we launch, among other actions, the FIVER Awards.

We are looking for all genre fiction, experimental, animation and documentary short films that explore the possibilities of the union between cinema and dance. We look forward for watching new collaborations between filmmakers and choreographers, crazy experiments that use the representation of the body on the screen and unique stories that work with movement to break narrative boundaries.

We invite you to submit your works, hoping to discover fresh and unique visions, the incorporation of new techniques, and moments that breathe life.

The annual Eko International Film Festival (EKOIFF) is an international film festival in the coastal megacity of Lagos in southwestern Nigeria.

It was founded and established by Hope Obioma Opara in 2009 and Hope Obioma Opara is the also the CEO of Supple Communications Limited under which the festival is Holden. He is also the publisher of publishers of Supple magazine a film festivals and culture magazine in Africa showing previews and reviews of movies and interviews on www.supplemagazine.org.

The mission of Eko International Film Festival is to promote the appreciation of Arts and Culture through the motion picture arts and sciences and increase tourism in Nigeria.

Eko International Film festival is owned (Trade Mark and Copy Right) and organized by Supple Communications Limited.

The inaugural edition was held in the megacity of Lagos in summer, July 7-12, 2010, at the Genesis Deluxe Cinemas of The Palms in Lekki, Lagos, with filmmakers from Nigeria and around the globe
The subsequent editions were held at the Silverbird Cinemas of the Silverbird Galleria on Victoria Island, Lagos. till date

Our film festival is on her 15th edition slated to take place in April 21-26,2025

Transhumant Festival is an engaged cinema event to do the social transformation.

It aims to reach audiences far away from culture, both geographically and by social circumstances to make them participants and show topics that concern society and that are not sufficiently disseminated in movie theatres, media or usual audiovisual distribution channels.

It will showcase national and international cinematographic works and photojournalism reportages that focus on:

- Social, political, environmental, mountain, journalistic or historical research.

- Showing some form of activism in favour of human rights and respect for the environment.

- Valuing positive human relations and diversity of cultures.

- Valuing the equity between women and men.

Bring your shorts to our festival ON THE BEACH and win the Golden Snail Prize for Best Film!

Be a part of this large scale film event on the Black Sea, screen your film, meet and network with like-minded professionals and enjoy the parties on the beach!

This year, we are screening at the Open Air Sea Stae in Tsarevo, newly renovated with 400+ seats!

Other venues include X-Challenge Park and Switch2Sea.

All members of our jury are carefully selected and experienced professionals with degrees in motion picture and live performance.

You can submit your short films under 30 minutes.

All submitted films must be subtitled in English or Bulgarian unless the film is in English or Bulgarian.

The 10th edition of PerSo – Perugia Social Film Festival will take place in Perugia from 27 to 29 September and from 3 to 8 October 2024.

"Concept". The Festival describes the complexity of our world through films and stories that talk about us and that are touching, deep and inspiring. Important and high-quality movies are selected from the most famous international festivals and are presented by their authors and protagonists. PerSo is a festival where the audience and the artists, well-known directors and young emerging ones, can meet and share experiences. It is a festival of dialogue about cinema, social issues, artistic research, divulgation and entertainment.

"The Festival at a glance". One city, four movie theatres, six competition categories, the PerSo Lab aimed to professionally develop young film-makers and support new productions, the PerSo Award (Italian premieres) and the Masterpieces (the best documentaries of the year), the movies shown at the Perugia-Capanne prison, the events dedicated to the world of psychiatry and sound documentaries, the PerSo Off, that refers to concerts, events and meetings.

Each edition offers more than 50 free entry events and welcomes 70 guests: directors, producers, judges, celebrities, staff members and volunteers.

PerSo FF is organised by RealMente Ngo, in collaboration with Foundation “La Città del Sole” – Onlus, in the fascinating medieval city of Perugia.

The One Shot Terrassa City of Film is a film festival that takes back the old Sequence Shot Contest organised in Terrassa between 2004 and 2012. It came last year again, and we're following the success. So this is the 11th Edition of the festival.

The particularity of this festival is that ONLY ACCEPTS ONE SHOT FILMS. What does it mean? As is well known, is about telling a story - at least 3 minutes long - in just a single shot, that is: no cutting or image editing.

In 2017, Terrassa was selected as a "Creative City of UNESCO in Film", a recognition that only 17 cities in the world have. This leads to recover a past that it is what brought us this present.

The festival will take place during the week from October 20th to 23rd 2024, also being part of the "3rd Cinema Week of Terrassa" where the whole city gets involved in film activities. The festival will be held at Cinema Catalunya, the main cinema in Terrassa and part of the "European Cinemas", and other venues of the city, where public screenings, Q&A and roundtables will complete the festival until its Closing Session and Award ceremony night.

To have some historical background, it all started in 1967 when Societat Cultural Joventut Terrassenca - known in Terrassa as "Coro vell" - organized the "Rotllo" film competition with this same idea. Now, Societat Coro Vell, with the support of the Terrassa Audio-visual Board and within the activities of the Terrassa City of Film UNESCO, as well as with the participation of those companies and people who collaborate on this event, wants to recover this current year the tenth edition of the "Concurs del Pla Seqüència", from now called "One Shot - Terrassa City of Film".

For any doubt or concern contact us at oneshot@oneshot.cat.

The Sustainable Development Goals adopted by the UN are the blueprint to achieve a better and more sustainable future for all. They address the global challenges we face, including poverty, inequality, climate change, environmental degradation, peace and justice. There has been growing interest from film and new media sector in promoting the concept of sustainable development, and film makers are increasing focusing on making films, documentaries and multi-media or interactive installations in subjects in this field. This film festival is founded to promote the concept of SDGs, and to enhance the awareness of films and documentaries related to sustainability, and to encourage starters in media sector to focus further on these fields.

Only for Argentine, Chilean, Paraguayan or Uruguayan filmmakers over 18 years old and under 35 years old.

The Central American Film Festival in Vienna, Austria, has firmly established itself as an annual tradition for the city.

Vienna has long been revered as one of the world's foremost cultural hubs, making it an ideal setting to showcase the increasingly diverse and compelling productions emerging from the Central American region.

This year's film festival returns in November, and we eagerly anticipate the continued patronage of our devoted audience as they join us to explore the latest offerings from Central American cinema.

Consistent with past editions, alongside the Feature Film, Short Film, Documentary, and Animation categories, the festival includes parallel non-competitive sections: "Pioneers of Central American Cinema," "Works in Progress," "Guest Film," "Bonus Films," and "Latin American View." The latter features a curated selection of audiovisual works depicting contemporary life in Latin America. Detailed descriptions of these sections are provided in the participation guidelines.

"Latin American View": A curated selection of audiovisual works from Latin America offering insights into life in the region.

Next screenings:

December 11, 2020 → Ulysse, Onet le Château, France
December 8, 2020 → Votiv Kino, Vienna, Austria
November 26, 2020 → Le Dôme, Québec, Québec
November 13-15 → Black Box Theatre, Drysdale, Australia
November 12, 2020 → Brookes Doc Club, Oxford, UK
September 23, 2020 → 3C, Aix-en-Provence, France

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“99.media is a carefully curated selection of documentaries from around the world swooping down into extraordinary lives.” — Rob Alderson, WePresent

99.media is a new kind of documentary film festival: both online and in real life.

It is a free and not-for-profit video platform streaming documentaries in 6 languages (English, Spanish, French, Portuguese, German and Italian) + a series of live screenings in different cities where our languages are spoken.

Our objective is to democratize documentaries thanks to multilingualism and to help filmmakers get wider audiences and more impact.

°°°°°°°°°°°°°°°

"99.media has embarked on a beautiful campaign to share films with the world. Subtitling my film from Arabic and English into a half-dozen languages opens the door for cross-cultural impact in ways I’ve always dreamed about. Their initiative to share powerful works of art with the world is a noble calling, and I’ve watched as my film has reached new people. I’m grateful for the opportunity to have my film play on their platform."
— Matthew K. Firpo, filmmaker

"99.media translated my documentary into 5 additional languages, ultimately helping the film reach a much wider audience, and become globally relevant. Films are made to be seen, and reaching an international audience like this is invaluable”.
— Lukas Schrank, filmmaker

“My short documentary was translated into 5 languages by 99.media, which helped it gain a lot more exposure and massively increased its global reach. I have a lot of respect for, and trust in the team, who has always dealt with me in a professional and honest fashion and who I believe has a real passion for short film and a lot of respect for filmmakers.”

— Andy Oxley, filmmaker

The goal of Agora Awards and our NFT Awards Festival is to provide visibility to talent worldwide. Everyone can participate in our Awards. The TOP100 finalists of each category will be offered to become part of our NFT marketplace: a curated marketplace of Photography, Art and Video Art. The most voted creation of each category will win $25.000.
The Festival will take place in Barcelona from the 27th to the 29th of October 2022.
Finalists will also be offered to appear with their work on Agora TV: our worldwide digital television with an audience of 30k of daily viewers. 

You provide your talent, we give you visibility. We win if you win.


How do we select the finalists?

The Agora Jury is in charge of selecting the TOP100 finalists of each Award. The Agora Jury consists of a mix of Photography, Video and Art experts, who are chosen internally, but also community members that proved their great talent on previous awards. The jury takes into account quality, diversity, artistry and originality. It takes into account that the final selection is from different countries, different ages and with the intention of having gender equity.


What happens if I am selected as finalist?

If you receive an email from us indicating you are an Agora Awards finalist, congratulations! This means your creation has gone through our Agora Jury curation process and been selected as one of the best among thousands of creations. Your creation will then move to the voting rounds, where the entire Agora community votes for the best via our app Agora Awards. As a finalist you will automatically be eligible to appear on our international Agora TV channel. If you succeed in the voting rounds, you will participate in the final round, where the winner is chosen! A fantastic prize of $25,000 is waiting for you. Will you be the lucky one?

The final awards ceremony will take place in Barcelona, from October 27th to 29th in 2022. At this event the best finalists will be exhibited, the awards ceremony will take place, our NFT market will be presented and we will have talks, podium discussion, further exhibitions, meetings and last but no least a big party. The event will be broadcasted on Agora TV.

We are looking forward to celebrate with you!



Power to artists

Power to the people

Power to you. 

The Happy Valley Animation Festival takes place in State College, PA (Happy Valley) and is an open international animation competition that seeks to showcase animated works in a range of categories. HVAF is screened and exhibited locally and throughout the Pennsylvania State University (University Park) as well as online. We encourage submissions by students, early career, and practicing professional artists, designers, and filmmakers in any of the three categories that include: Animated Short Films, Experimental Animation, and Animated Motion Graphics & Design.

HVAF is a collaboration between organizers and volunteers and is sponsored by the Digital Arts & Media Design (DART) Program and the School of Visual Arts at Penn State, and the Animation Club at Penn State.